Roblog

Recent posts

  • From 2019, but perhaps even more relevant now. B. D. McClay argues that we’re in an era characterised by sore winners:

    “Call the 2010s the decade of the sore winner: the underdogs that are top dogs, the upstarts who are establishment. It’s Taylor Swift’s decade as much thanks to her affect as her music. But it’s not just Taylor. Donald Trump is a sore winner. So is Brett Kavanaugh. Every Washington figure who blames ‘Washington’ for their failure to deliver on their promises is a sore winner. Hillary Clinton is not a sore winner – she’d have to win – but she has, it must be said, the vibe. (Recall, for instance, her reaction to being referred to as a member of the establishment.)”

    McClay ponders the causes…

    “The sore winner is a product of the hyper-surveilled and personalized world in which we all now live, one in which people feel both nebulously responsible for everything wrong while also feeling responsible for nothing at all. Power is contextual, responsibility often has to be accepted by people who aren’t at fault, and the grain of irritation around which the sore winner’s elaborate deflections and defenses occur sometimes represents something at least a little bit real.”

    …and has a go at formulating some solutions, too. #

  • Edward Docx’s portrait of Boris as a clown is just about the only way to sum up the absurdity of the last few years in British politics:

    “‘Boris’ became the most famous clown of his time. And yet, when he started out, he would open his act as if from the public seats. He was not one of the people, of course; but he liked to sit among them, awaiting his moment. He would then clamber through the crowd to a plangent arrangement of the national anthem – a pale-faced jester, candy-floss hair, feigning to fall over, carrying buckets of confetti and his little plastic flags. By entering the ring in this way – and with great clatter and furore – he would subvert the expected order and contrive confusion in the expectation of the audience. For a moment, he appeared to come from the same place as the public and therefore to be their envoy among the other performers – whom he would proceed to lampoon and ridicule. At this he was always very successful.”

    #

  • Interesting: although Americans earn more, adjusted for inflation, than they did in 1960, the cost of iconic days out like baseball games or Disneyland is less affordable now than it was then.

    Everything is more expensive, but in particular the costs around the periphery have increased to absurd levels: parking at the ball game and Disneyland, popcorn at the cinema.

    It illustrates how difficult it is to measure inflation properly – and justifies the pinch that so many people are feeling. #

  • Tom Critchlow has some interesting thoughts on dashboards in businesses, which in his experience (and mine) tend to suck. That’s mostly because they’re backwards-looking:

    “Company dashboards are designed around metrics and measurement of results - they’re trying to measure what has happened.

    “Measuring what happened is important, obviously. But it’s a bit like driving a car only looking in the rear view mirror…

    “It’s also important, however, to measure what is happening.

    “Unfortunately in my consulting work most companies don’t have any kind of measurement in place for the left hand side of the equation.”

    There’s some great practical advice for what to do about it, too. #

  • Why revolutions rarely work

    What do the rebrand of an orange juice, the new version of a web browser, and the reorganisation of the Chinese economy have in common? More than you might think.

  • Clive Thompson writes about how great ideas can have incredibly long gestation periods, as they roll around our heads and are augmented by bits and pieces of new information as we learn new things. He includes a great example of his own.

    His advice?

    “Treasure your long hunches. Gather wool slowly, and patiently. Keep lots of notes about things you’re learning and thinking about, and don’t worry if you feel like you’re being digressive. If you find yourself reading up on something that seems like a weird side-distraction, let yourself go there. It might be your brain working slowly – very slowly – on a hunch that won’t reveal itself for another ten years.

    “But when it does, it’ll be great.”

    #

  • Focusing further

    The importance of focus is a truth universally acknowledged. But focus isn’t just about having a short to-do list; there’s more to it than that.

  • While I was in Rome recently I took lots of photos and built a little site called Romer to host photos and writing about the city. The first piece is about watching AS Roma in the Stadio Olimpico, the unbelievable atmosphere, and Italy’s infectious – but somewhat problematic – fan culture. #

  • I mean, it’s been all over everywhere, so I’m unlikely to be the first to recommend it to you all, but if you haven’t seen Paul McCartney’s masterful three-hour Glastonbury set, you absolutely must. It’s impossible to even pick out highlights. (Okay, I’ll try: the super-tight band, Abe Laboriel Jr.’s drumming, the Foxy Lady solo at the end of Let Me Roll It, Dave Grohl, Bruce Springsteen, holographic John Lennon, that run of Let It Be, Live and Let Die and Hey Jude before the encore…) It’s a master at work, looking nothing like his eighty years. #

  • A thoughtful review by Richard Seymour of Drew Pendergrass and Troy Vettese’s new book “Half-Earth Socialism”.

    The “half-earth” part of the title refers to a radical plan to combat climate change. The authors believe that nature is too complex for humanity to engineer, and that it can only thrive if we leave it alone; so half the earth should be left to re-wild; humanity must survive with the space and resources that remain. Ideally, that would mean doing so in a fair and equitable economy:

    “The ‘half-Earth’ arcadia, as Vettese and Pendergrass acknowledge, is riddled with peril. In the hands of governments and scientific bureaucracies, it is likely to be a ‘colonial’ solution in which the poor are displaced from their land; conflict intensifies between governments using military force to conserve territory, private military contractors, poachers, and those driven off the land; and the drivers of resource extraction are left unaddressed. Vettese and Pendergrass’s solution is not to abandon half-Earth, but to radicalise it as part of a socialist reformation of the global economy, in which democratic planning replaces markets and state bureaucracies. The goal of such a transformation is to use ‘natural geoengineering’ through rewilding to ‘draw down carbon’ – thereby avoiding dangerous options such as solar radiation management – and ‘create a fully renewable energy system’.”

    Seymour digs into exactly what’s problematic with Pendergrass and Vetesse’s analysis, but it’s perhaps the beginning of something interesting. #

  • Glastonbury has been great, but one of the highlights has definitely been the defiant Skin from Skunk Anansie, in a lime-green suit with “CLIT ROCK” on the back and a rubber headcap adorned with ten metre-long inflatable spikes, belting out “Yes it’s F**king Political”. #

  • A documentary, directed by the artist Michael Dweck and the cinematographer Gregory Kershaw, that follows a group of truffle hunters in Piedmont, in northern Italy.

    The hunters, all in their eighties, face intruders on their patch, a spate of dog-poisonings, and their own age and infirmity. But they go out each day regardless, driven by their relationships with their dogs, their love of the hunt, and – you can’t help but feel – a total lack of desire to do anything else. The film is sparsely shot, without narration or interview, and lets the hunters speak for themselves or to each other.

    The result is visually sumptuous and, on a human level, fascinating. It’s on iPlayer (linked), if you’re in the UK; if you’re not, I recommend seeking it out. #

  • In 1950s Rome, the sprawling film studios created by Mussolini were abuzz with American-made productions. The influx of global stars created, inadvertently, both the profession of the paparazzi celebrity photographer and, in many ways, our modern celebrity-obsessed culture itself. Evan Puschak explains. #

  • Craig Mod travels to the Kii peninsula, a sacred region south of Osaka that is home to shrines, sites of pilgrimage, lush forests, and fading villages undergoing demographic collapse:

    “For me, walking through working villages and towns is the great joy of the Kii Peninsula. Being able to cap a day of strenuous mountain routes with a bath alongside locals, wacky though they may sometimes be, is never not interesting. The whole of the experience, however, is one of acute bittersweetness.

    “The countryside of Japan is aging into nothingness, and it’s rare to see people under the age of 50 out and about. Many of the old coastal tea estates have been converted to solar farms – vast fields of trees replaced by gleaming black panels.”

    “Abandoned homes and gardens abound. Part of the reason I’ve walked Kii so obsessively in recent years is because I can feel, palpably, the fading of what once was. In Odai, I missed having a cup of coffee at La Mer, a classic Japanese kissaten-style café, by just two months. The 80-something-year-old owner left a sign outside: ‘I’ve aged out of the business.’ In Tochihara, an inn that has been in operation for hundreds of years may soon take its last boarder.”

    #

  • The news is full of stories lifted straight from scientific papers, lots of which are of dubious quality. David Epstein highlights one recent example – a story with the headline “surgeons who listen to AC/DC are faster and more accurate” – which demonstrates a common abuse of statistics:

    “I recommend that when you see this sort of ultra-nuanced effect in a news article, it may be a sign that the researchers inappropriately (but often not maliciously) sliced and diced their data in order to create some tantalizing positive finding, which – given enough data and enough slicing and dicing – they will inevitably find among the many possible false positives.

    “Let’s say a study starts out asking whether music makes surgeons perform better, but the results show nothing. Dead boring. So then the researchers separate the data into surgeons who heard soft rock versus hard rock. Ok, now the hard rock shows an effect. But, hmmmm, still no effect for soft rock. But if you look only at the data when the music is low-volume, there’s an effect. Interesting! Headlines!

    “But the reality is often that the researchers just sifted the data so much that they were bound to find false positives.”

    #

  • Paul Raven with a significantly better interpretation of “the boy who cried wolf” than the standard one:

    “Or, more simply: assigning a nervy and inexperienced kid to do an adult’s job and assuming you can sleep safely, and then blaming the kid’s false alarms for your sleeping through the eventual and destructive appearance of the thing you set the kid to watch out for, is surely less a story about how kids can’t be trusted to raise the alarm about wolves descending on the fold, and more a story about how fobbing off the hard work of protecting a community on its most vulnerable and inexperienced member is really fucking stupid.”

    #

  • Life advice from the chess hustlers who play in New York’s Washington Square Park:

    “The one thing I tell my students is that when you get to a confrontation of any type, you have to remain calm. When you remain calm, you can see the board a lot clearer. You can see the person you’re playing or arguing with a lot more clearly, for who and what they are. So you don’t even have to entertain that shit. You understand?

    “You have to be very careful. You can’t argue with a fool. You know that, right? Because you know what the fool will do? The fool will drag you down and drown you. And guess what? He’ll drag you down in your own pride and your own stupidity.

    #

  • Drifting into failure

    As businesses grow, they face all sorts of pressures – from shareholders to be more efficient and more profitable, from management to do more with less, and from workers to reduce workload. Unwittingly, these pressures erode the margin of safety that keeps the organisation from making catastrophic errors.

  • Geoff Manaugh marvels at the strange geography of suburban Orange County, California:

    “In the process, I noticed some incredible street names. I love this development, for example, with its absurdist, greeting-card geography: you can meet someone at the corner of Luminous and Dreamlight, or rendezvous with your Romeo on the thin spit of land where Silhouette meets Balcony.

    “The same development has streets called Symphony, Pageantry, and Ambiance – and don’t miss “Momento” [sic]. Nearby is a street called Heather Mist.”

    #

  • Conway’s law and brands

    Brands inevitably end up reflecting the organisational structures of the businesses that create them. What does that mean, and how do you fix it?

  • Jerry Seinfeld being interviewed in HBR (a very strange sentence) produces this gem:

    You and Larry David wrote Seinfeld together, without a traditional writers’ room, and burnout was one reason you stopped. Was there a more sustainable way to do it? Could McKinsey or someone have helped you find a better model?

    Who’s McKinsey?

    It’s a consulting firm.

    Are they funny?

    No.

    Then I don’t need them. If you’re efficient, you’re doing it the wrong way. The right way is the hard way. The show was successful because I micromanaged it – every word, every line, every take, every edit, every casting. That’s my way of life.

    I can only imagine the beat between “Are they funny?” and “No”. #

  • Amy Kean on the samey language of modern advertising:

    “The word ‘reimagine’ has crept into the advertising space in tandem with the growing number of brands hiring management consultants to manage their journeys into the future. We’re being sold shoes, reimagined. Laptops, reimagined. Teabags, reimagined. Cars, reimagined. And every single one of them is only slightly different.

    “The word ‘reimagine’ is a tactic. It’s grandiose waffle (which is why management consultants love it). A meaningless word. Style over substance. A preference for what sounds good, versus what actually says something. So why is everyone doing it?”

    #

  • Even a brief jaunt through TikTok will reveal countless videos in which people speak in the same uncanny, unnatural way. Olivia Yallop, author of Break the Internet: in Pursuit of Influence, explores why:

    “And so over time, thanks to the conditioning effects of the algorithm and the prerogative to self-optimise towards virality, TikTok users all end up sounding the same. ‘The way you speak is how you fit in, how you become part of the crowd,’ says Kate. ‘And nowadays, of course, we’re part of the crowd anywhere in the world.’ If everyone is now a broadcaster, everyone now has ‘broadcast voice’. Audrey agrees: ‘Just like I’m getting fillers to emulate [Instagram influencers’] cheekbones, they are altering their pitch so that they can sound similar to me.’ Perhaps, she muses, ‘people have been scrolling for so long, they don’t even realise they’re starting to talk like that.’”

    #

  • The shearing layers of brands

    Brands are strange things. Everything about branding involves keeping things the same: the same logos, the same colours, the same zingy lines. But everything about the real world involves adaptation to changing circumstances. How do you decide what to flex and what to fix? What happens at the different layers of brands, from the most static to the most dynamic?

  • A comprehensive statistical analysis of the Wordle phenomenon, which I for one am still hooked on, by Robert Lesser.

    In particular, Lesser explores whether people are less likely to Tweet their Wordle score when it’s poor, which he’s able to do by looking at the rate of tweets vs an objective scoring of the difficulty of the words:

    “A common saying about sharing in the internet age is that social media is a highlight reel. People only post their best moments.

    “Does this apply to Wordle? Are people less likely to share their mediocre performances or failures?

    “Here’s one way to approach the question. If people are less likely to share their results when they do poorly, we would expect fewer people to do so on days with harder Wordle answers.”

    #

  • A timely piece from Patrick Radden Keefe on London’s facilitation of dodgy Russian wealth:

    “The stark implication of ‘Putin’s People’ is not just that the President of Russia may be a silent partner in one of England’s most storied sports franchises but also that England itself has been a silent and handsomely compensated partner in Putin’s kleptocratic designs – that, in the past two decades, Russian oligarchs have infiltrated England’s political, economic, and legal systems. ‘We must go after the oligarchs,’ Prime Minister Boris Johnson declared after the invasion of Ukraine, doing his best to sound Churchillian. But, as the international community labors to isolate Putin and his cronies, the question is whether England has been too compromised by Russian money to do so.”

    Keefe leans heavily on Oliver Bullough in the piece; his books Moneyland and the recently published Butler to the World are both brilliantly depressing. #